Following The Broken Estate, The Irresponsible Self, and How Fiction Works—books that established James Wood as the leading critic of his generation—The Fun Stuff confirms Wood’s preeminence, not only as a discerning judge but also as an appreciator of the contemporary novel. In twenty-three passionate, sparkling dispatches—that range over such crucial writers as Thomas Hardy, Leon Tolstoy, Edmund Wilson, and Mikhail Lermontov—Wood offers a panoramic look at the modern novel. He effortlessly connects his encyclopedic, passionate understanding of the literary canon with an equally in-depth analysis of the most important authors writing today, including Cormac McCarthy, Lydia Davis, Aleksandar Hemon, and Michel Houellebecq. Included in The Fun Stuff are the title essay on Keith Moon and the lost joys of drumming—which was a finalist for last year’s National Magazine Awards—as well as Wood’s essay on George Orwell, which Christopher Hitchens selected for the Best American Essays 2010. The Fun Stuff is indispensable reading for anyone who cares about contemporary literature.
Naomi Novik’s beloved series returns, with Captain Will Laurence and his fighting dragon Temeraire once again taking to the air against the broadsides of Napoleon’s forces and the friendly—and sometimes not-so-friendly—fire of British soldiers and politicians who continue to suspect them of divided loyalties, if not outright treason.
For Laurence and Temeraire, put out to pasture in Australia, it seems their part in the war has come to an end just when they are needed most. But perhaps they are no longer alone in this opinion. Newly allied with the powerful African empire of the Tswana, the French have occupied Spain and brought revolution and bloodshed to Brazil, threatening Britain’s last desperate hope to defeat Napoleon.
And now the government that sidelined them has decided they have the best chance at negotiating a peace with the angry Tswana, who have besieged the Portuguese royal family in Rio—and thus offer to reinstate Laurence to his former rank and seniority as a captain in the Aerial Corps. Temeraire is delighted by this sudden reversal of fortune, but Laurence is by no means sanguine, knowing from experience that personal honor and duty to one’s country do not always run on parallel tracks.
Nonetheless, the pair embark for Brazil, only to meet with a string of unmitigated disasters that force them to make an unexpected landing in the hostile territory of the Incan empire, where they face new unanticipated dangers.
Now with the success of the mission balanced on a razor’s edge, and failure looking more likely by the minute, the unexpected arrival of an old enemy will tip the scales toward ruin. Yet even in the midst of disaster, opportunity may lurk—for one bold enough to grasp it.
AudioFile Magazine (Earphone Winner):
Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice.
At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel’s Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne’s head?
AudioFile Magazine Review:
This second volume in Hilary Mantel’s planned trilogy about Thomas Cromwell, right-hand man to Henry VIII of England, is a perfect marriage of the written and spoken word. As her awards and wide readership attest, Mantel writes wonderfully. She also writes long. Thus, we hail Simon Vance, whose silken tones and expert pacing keep us engaged throughout. In this volume, Henry is disenchanted with Anne Boleyn. While we all learned the outcome in high school history class, Mantel still fascinates with Cromwell’s view of the machinations of king and court. Vance enhances the story with instructive vocal portraits of key players and a listenable tempo that keeps us clear and entranced until the end. A.C.S.
Because of the widespread awareness of the story of the evil Transylvanian count and the success of numerous film adaptations that have been created over the years, the modern audience hasn’t had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker’s original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we’ve tried something different. By returning to Stoker’s original storytelling structure – a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters – with an all-star cast of narrators, we’ve sought to recapture its originally intended horror and power.
This production of Dracula is presented by what is possibly the best assemblage of narrating talent ever for one audiobook: Emmy Award nominees Alan Cumming and Tim Curry plus an all-star cast of Audie award-winners Simon Vance (The Millenium Trilogy), Katherine Kellgren (Pride and Prejudice and Zombies), Susan Duerden (The Tiger’s Wife), John Lee (Supergods) and customer favorites Graeme Malcolm (Skippy Dies), Steven Crossley (The Oxford Time Travel series), Simon Prebble (The Baroque Cycle), James Adams (Letters to a Young Contrarian), Nicola Barber (The Rose Garden), Victor Villar-Hauser (Fun Inc.), and Marc Vietor (1Q84).
AudioFile Magazine Review:
Followers of the popular vampire literary and film interpretations of recent years might be blasé about another performance of the exquisitely written novel that started it all. But listening to this full-cast performance turns out to be remarkably suspenseful and chilling. The superlative cast lends this powerful production the diversity that is required by the structure of the novel, which includes journal entries and letters. Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread. The famed vampire Count Dracula leaves a swath of exsanguinated bodies in his wake as he attempts to relocate from Transylvania to England in 1897, stalked by the brave Van Helsing. A.W.
In Jewish scripture, there is a legend: There are thirty-six righteous people on earth. The thirty-six protect us. Without them, humanity would perish. But the thirty-six do not know they are the chosen ones.
In Beijing, a monk collapses in his chamber, dead. A fiery mark—a tattoo? a burn?—spreads across his back and down his spine. In Mumbai, a beloved economist, a man who served the poor, dies suddenly. His corpse reveals the same symbol. Similar deaths are reported around the world—the victims all humanitarians, all with the same death mark. In Venice, an enterprising Italian policeman links the deaths, tracing the evidence. Who is killing good people around the world?
In Copenhagen, police are preparing for a world climate summit when they receive the Interpol alert. The task falls to veteran detective Niels Bentzon: Find the “good people” of Denmark and warn them. But Bentzon is a man who is trained to see the worst in humanity, not the good. One by one, people are crossed off his list. He senses their secrets and wrongdoings.
Just as Bentzon is ready to give up, he meets Hannah Lund, a brilliant astrophysicist mourning the death of her son and the implosion of her marriage. With Hannah’s help, Bentzon begins to piece together the puzzle of these far-flung deaths. A pattern emerges. It is, they realize, a perfectly executed plan of murder. There have been thirty-four deaths—two more to come if the legend is true. According to the pattern, Bentzon and Hannah can predict the time and place of the final two murders. The deaths will occur in Venice and Copenhagen. And the time is now.
- Jerusalem by Alan Moore November 3, 2016
- Hero of the Empire by Candice Millard July 31, 2016
- In The Shadow of Frankenstein Edited by Stephen Jones May 30, 2016
- Hour of the Wolf by Håkan Nesser September 30, 2015
- The Drowning by Camilla Läckberg July 30, 2015
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