From AudioFile Magazine:
Simon Vance is an ideal performer for this tightly plotted and beautifully made story about a French family whose stress fractures have widened into chasms. Antoine Rey still loves his wife, who has left him for a younger man. His beautiful sister, Melanie, is turning 40 alone after a romantic breakup. On a weekend trip to a place they haven’t seen since childhood, memories of their long-dead mother surface, and suddenly both are haunted by unanswered questions. Vance’s French accent is elegant and assured, but more important, his sympathy for these complex and interesting characters keeps the drama from crossing into melodrama. He is particularly strong with women’s voices and Antoine’s teenaged children, using deft changes of register that never feel forced. A performance to savor. B.G. Winner of AudioFile Earphones Award © AudioFile 2010
Publisher’s notes: Antoine Rey thought he had the perfect surprise for his sister’s birthday: a weekend by the sea, at Noirmoutier, where he and Mélanie used to spend their childhood holidays and where they had never returned. Antoine is at a fragile point in his existence: his job no longer holds any excitement, his children are surly teenagers, and he hates being a divorced, single Dad. Noirmoutier triggers off a flock of forgotten memories and Mélanie has a shocking flashback. Trapped between a taboo family secret and a new crisis when his daughter is confronted with the death of her best friend, nothing is easy for Antoine as a son, a husband, a brother and a father. But then he meets streetwise, sexy Angèle, a mortician who will give new meanings to the words life, love and death.